Glossary of words used in the description and appreciation of Nishikigoi
PRONUNCIATION
A = ah as in pa, ma
E = eh as in lend
I = ee as in bee
O = oh as in oak, ditto
U = uu as in moo, boo
Ai = eye as in pie, kite
Ei = aye as in yeah or plate
Ai = indigo blue
Ai-no-Fuki =(eye no foo key) indigo crescents on hi plates
Ai – Sashi = (eye sa she) indigo sashi
Aka = (ah ka) general word meaning red
Beni = a stronger red colour
Doh hi = Hi on the body
Doh Zumi = Sumi on the body
Fukurin = (who coo reen) skin between scales creating a netting pattern
Gin = (geen) silver, metallic
Hanatsuki = Hi that reaches to the nose (demerit)
Hachiware =(ha chee wa reh) pattern on head that divides part black part white
Hi =(hee) red. Aka and Beni all mean red but there are subtle distinctions
Hi-moyo = red pattern as in kohaku
Ichimatsu = (ee chee math sue) chequered pattern
Inazuma = lightning strike pattern
Ipponhi = (ee pohn hee) one long Hi plate
Jyami = (Ja me) small sumi dots on varieties with Sumi (demerit)
Kage – (kah geh) shade or shadow
Kata Zumi = Sumi patch on shoulders
Ki = yellow
Kin = (keen) gold metallic
Kin Gin Rin = (keen geen deen) gold over red or silver over white or black
Kiwa = sharpness of all the edges of the pattern
Kokesuki = lighter area in the hi plate due to injury or scale loss (demerit)
Kuchibeni – lipstick
Kuchi Zumi = sumi on the mouth
Kuragake = saddle shape Hi or Sumi
Madoaki = window of shiroji in the hi plate (demerit)
Maki = wrap of the pattern below the lateral line desirable in kohaku or koi based on a kohaku pattern
Maezashi = same as sashi
Maruten = round red spot on the head accompanied by other patches of hi on the body
Matsuba = pine cone or netting pattern
Menkaburi = Hi extending over the eyes (demerit especially in kohaku)
Menware = same as Hachiware
Motoaka = Hi at the base of pectoral fins desirable in Shusui and Asagi only
Motoguro = (moh toe goo row) black at the base of pectoral fins
Moyo = pattern
Muji = solid colour
Nidan = two (usrd in description of kohaku patterns – two hi plates)
Odome = the line between the last colour and shiroji in the tail section
Odome Hi = red on the tail section
Odome Zumi = Sumi on the tail section
Sandan = three (three hi plates)
Sashi = the leading edge of the pattern (nearest the head) where the overlap of a white scale over a scale with strong colour causes a blurred effect
Sashi Zumi = where the black scale is underneath another scale causing a dark blur
Shimi – undesirable black spots on a koi with no sumi
Shiro = white
Shiroji = white ground or background
Sora = sky
Sumi = black
Tobihi = an unnecessary red scale not part of the pattern
Toh hi = red on the head
Tsubo = a critical area
Tsubo Zumi = critical sumi that balances the pattern
Ushirogiwa = the black edge
Yakko = Hi on asagi cheeks
Yondan = four as in four step kohaku
PRONUNCIATION
A = ah as in pa, ma
E = eh as in lend
I = ee as in bee
O = oh as in oak, ditto
U = uu as in moo, boo
Ai = eye as in pie, kite
Ei = aye as in yeah or plate
Ai = indigo blue
Ai-no-Fuki =(eye no foo key) indigo crescents on hi plates
Ai – Sashi = (eye sa she) indigo sashi
Aka = (ah ka) general word meaning red
Beni = a stronger red colour
Doh hi = Hi on the body
Doh Zumi = Sumi on the body
Fukurin = (who coo reen) skin between scales creating a netting pattern
Gin = (geen) silver, metallic
Hanatsuki = Hi that reaches to the nose (demerit)
Hachiware =(ha chee wa reh) pattern on head that divides part black part white
Hi =(hee) red. Aka and Beni all mean red but there are subtle distinctions
Hi-moyo = red pattern as in kohaku
Ichimatsu = (ee chee math sue) chequered pattern
Inazuma = lightning strike pattern
Ipponhi = (ee pohn hee) one long Hi plate
Jyami = (Ja me) small sumi dots on varieties with Sumi (demerit)
Kage – (kah geh) shade or shadow
Kata Zumi = Sumi patch on shoulders
Ki = yellow
Kin = (keen) gold metallic
Kin Gin Rin = (keen geen deen) gold over red or silver over white or black
Kiwa = sharpness of all the edges of the pattern
Kokesuki = lighter area in the hi plate due to injury or scale loss (demerit)
Kuchibeni – lipstick
Kuchi Zumi = sumi on the mouth
Kuragake = saddle shape Hi or Sumi
Madoaki = window of shiroji in the hi plate (demerit)
Maki = wrap of the pattern below the lateral line desirable in kohaku or koi based on a kohaku pattern
Maezashi = same as sashi
Maruten = round red spot on the head accompanied by other patches of hi on the body
Matsuba = pine cone or netting pattern
Menkaburi = Hi extending over the eyes (demerit especially in kohaku)
Menware = same as Hachiware
Motoaka = Hi at the base of pectoral fins desirable in Shusui and Asagi only
Motoguro = (moh toe goo row) black at the base of pectoral fins
Moyo = pattern
Muji = solid colour
Nidan = two (usrd in description of kohaku patterns – two hi plates)
Odome = the line between the last colour and shiroji in the tail section
Odome Hi = red on the tail section
Odome Zumi = Sumi on the tail section
Sandan = three (three hi plates)
Sashi = the leading edge of the pattern (nearest the head) where the overlap of a white scale over a scale with strong colour causes a blurred effect
Sashi Zumi = where the black scale is underneath another scale causing a dark blur
Shimi – undesirable black spots on a koi with no sumi
Shiro = white
Shiroji = white ground or background
Sora = sky
Sumi = black
Tobihi = an unnecessary red scale not part of the pattern
Toh hi = red on the head
Tsubo = a critical area
Tsubo Zumi = critical sumi that balances the pattern
Ushirogiwa = the black edge
Yakko = Hi on asagi cheeks
Yondan = four as in four step kohaku